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“Ranks up there with the great rock & roll books of all time.”—Time Out New York
“Lurid, insolent, disorderly, funny, sometimes gross, sometimes mean and occasionally touching . . . Resounds with authenticity.”—The New York Times
“No volume serves juicier dish on punk’s New York birth . . . Tales of sex, drugs and music that will make you wish you’d been there.”—Rolling Stone
A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. This 20th anniversary edition features new photos and an afterword by the authors.
“Utterly and shamelessly sensational.”—Newsday
- Sales Rank: #20433 in Books
- Published on: 2016-08-09
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.30" w x 5.40" l, .0 pounds
- Binding: Paperback
- 448 pages
Amazon.com Review
Though Britain's notorious Sex Pistols shoved punk rock into the face of mainstream America, the movement was already brewing in the U.S. in the 1960s with bands like the Velvet Underground and Iggy and the Stooges. Through hundreds of interviews with forgotten bands as well as the ones that made names for themselves--including Blondie and the Ramones--Legs McNeil and Gillian McCain chronicle punk rock history through the people who really lived it. Please Kill Me is a thrash down memory lane for those hip to punk's early years and an enlightening history lesson for youngsters interested in the origins of modern "alternative" music.
From Publishers Weekly
As its sensationalist title suggests, this stresses the sex, drugs, morbidity and celebrity culture of punk at the expense of the music. Starting out with the electroshock therapy Lou Reed received as a teenager, working through such watersheds as the untimely deaths by overdose or mishap of Sid Vicious, Johnny Thunders and Nico, as well as the complicated sexual escapades of the likes of Dee Dee Ramone, the portrayal here of the birth of an alternative culture is intermittently entertaining and often depressing. McNeil, one of the founding writers of the original 'zine, Punk, in 1975 , is certainly qualified to tell this tale. But the book's take on punk rock as "doing anything that's gonna offend a grown-up" overemphasizes the self-destructive side of the movement. Details of Iggy Pop's drug abuse and seedy sex with groupies receive more attention than important bands such as Television and Blondie, which had comparatively puritan lifestyles. Constructed as an oral history, the book weaves together personal accounts by the crucial players in the scene, many of whom seem to have been so drugged out most of the time that their reliability is questionable. McNeil and McCain (Tilt) provide a vivid look at the volatile and needy personalities who created punk, if they do not offer perceptive musical or cultural analysis. Photos.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Imagine one of those on-line "chat rooms" filled with the aging movers and shakers of American punk rock?former members of the Velvet Underground, the Stooges, the New York Dolls, the Ramones, and others?as well as assorted hangers-on, all reminiscing about the glory days of punk. Denizens remember when downtown Manhattan was the epicenter of a musical and cultural earthquake whose aftershocks are still felt long after its initial impact. The stories told by these musicians and scenesters trace the history of punk from its earliest incarnations in the late Sixties, through its appropriation by British imitators in the Seventies, and ending just before its stylistic balkanization and quick decline in the early Eighties. Unfortunately, this oral history depends almost entirely on voices from Detroit and a small core of New York bands, ignoring the important scenes in Los Angeles, Boston, and Cleveland. Numerous behind-the-scenes anecdotes make this book undeniably fun reading. But the lack of any index, bibliography, discography, or overarching narrative context keeps it from being much more than that. Not an essential purchase, but worth considering for larger collections. (Photos not seen.)?Rick Anderson, Penacook, N.H.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
It ends, like everything, too soon.
By J. Edgar Mihelic, MBA
This is Punk as it happened by the people who were there.
In New York, and some in Detroit and London. Bit of California. Mostly Lou Reed and Iggy Pop and the Ramones and the Dead Boys and Blondie.
And the club kids and the hangers-on, the club owners and the drug dealers.
Everyone who doesn’t die gets old.
It is sad.
It is beautiful.
It ends, like everything, too soon.
1 of 1 people found the following review helpful.
Excellent book
By Lovblad
This is one of the first books to make an cohesive sense on the history of early punk and therefore is a must-read. The fact that it assembles first person accounts is great but also tiring in the long run. However it is clearly one of the first and best of its kins. I have now bought 3 copies since I have used them all up.
1 of 1 people found the following review helpful.
You should read this
By agnostic
Great book. I know it sounds difficult to read and enjoy because it is made up of clips of different interviews or however you want to describe it. It's utterly not -- it's fascinating, engaging, informative and exhilarating. One of the best books I've ever read about rock music, probably the best.
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