Jumat, 27 April 2012

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  • Binding: Paperback

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Selasa, 24 April 2012

[C108.Ebook] Free PDF The Professor Is In: The Essential Guide To Turning Your Ph.D. Into a Job, by Karen Kelsky

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The Professor Is In: The Essential Guide To Turning Your Ph.D. Into a Job, by Karen Kelsky

The definitive career guide for grad students, adjuncts, post-docs and anyone else eager to get tenure or turn their Ph.D.  into their ideal job
 
Each year tens of thousands of students will, after years of hard work and enormous amounts of money, earn their Ph.D. And each year only a small percentage of them will land a job that justifies and rewards their investment. For every comfortably tenured professor or well-paid former academic, there are countless underpaid and overworked adjuncts, and many more who simply give up in frustration.
 
Those who do make it share an important asset that separates them from the pack: they have a plan. They understand exactly what they need to do to set themselves up for success.  They know what really moves the needle in academic job searches, how to avoid the all-too-common mistakes that sink so many of their peers, and how to decide when to point their Ph.D. toward other, non-academic options.
 
Karen Kelsky has made it her mission to help readers join the select few who get the most out of their Ph.D. As a former tenured professor and department head who oversaw numerous academic job searches, she knows from experience exactly what gets an academic applicant a job. And as the creator of the popular and widely respected advice site The Professor is In, she has helped countless Ph.D.’s turn themselves into stronger applicants and land their dream careers.
 
Now, for the first time ever, Karen has poured all her best advice into a single handy guide that addresses the most important issues facing any Ph.D., including:
 
-When, where, and what to publish
-Writing a foolproof grant application
-Cultivating references and crafting the perfect CV
-Acing the job talk and campus interview
-Avoiding the adjunct trap
-Making the leap to nonacademic work, when the time is right
 
The Professor Is In addresses all of these issues, and many more.


From the Trade Paperback edition.

  • Sales Rank: #54627 in eBooks
  • Published on: 2015-08-04
  • Released on: 2015-08-04
  • Format: Kindle eBook

Review
"For those students---and anyone who cares about them---his cogent, illuminating book will be indispensable." ---Kirkus

About the Author
Karen Kelsky, PhD, is the creator of the popular and widely respected advice site The Professor Is In. A former tenured professor and department head, she has taught at the University of Oregon and the University of Illinois at Urbana-Champaign.

AudioFile Earphones Award winner Elizabeth Wiley is a seasoned actor, dialect coach, theater professor, and dedicated narrator. She brings over twenty-five years of award-winning acting and voice experience to the studio to create memorable, compelling storytelling.

Most helpful customer reviews

31 of 33 people found the following review helpful.
Not as helpful as I would have liked
By Michelle
This book is a helpful resource, but not as helpful as I would have liked. I read many related parts of the blog, where Kelsky spends a significant amount of time telling prospective job applicants what NOT to do with their application documents, giving clear examples, that, sadly, do look like a lot of my own first drafts. What I was hoping for in the book was that there would be additional, equally specific information about what TO DO. Here the advice in this book is much more generic and less helpful. Sentences like "remember to always stay on message," while probably good advice, are not that useful. I can KNOW this and still not know HOW to do this. It is helpful to see others' mistakes so as not to repeat them, but some positive examples would be immensely helpful, or better yet, providing a bad example followed by how to edit/modify, and the resulting positive example. This is, after all, the process most of us go through when we write. The first draft isn't very good, we make modifications, and eventually produce something we're happy (or at least satisfied) about. I appreciate Kelsky tackling this topic, but was disappointed with the lack of concrete advice for writing good job documents.

13 of 13 people found the following review helpful.
Indispensable for those considering graduate school, those in it, and those who are considering leaving it (plus their mentors)
By D. Picard
I'm an avid reader of Kelsky's blog and purchased this book fairly certain of what it would contain, My high expectations were certainly met. While the book did not contain much information that was "startlingly new," its breadth and depth earn the book its place on my bookshelf. I'm certainly happy to have all of this information in one place so that I can share chapters with colleagues, friends, and students.

Kelsky has written a book designed to empower PhD students who are facing a bleak academic job market. She doesn't guarantee that her readers will earn a "coveted" tenure-track position by reading the book - nor is that her goal. Her mission is to help PhDs get a job, be it academia, alt-ac, or non-ac; and she does this by detailing what job candidates need to know about academia. The readers of her blog or columns in The Chronicle will not be surprised by this goal, nor should they be. Kelsky is an avowed advocate for PhD students and recent graduates who are struggling on the market because they need more guidance.

The book is written for all academic fields, but Kelsky also calls attention to some of the dire conditions in the humanities, and how that may affect PhD candidates and job seekers.

The bulk of the book focuses on preparing for jobs in academia, but it also provides information on leaving academia and finding other ways to utilize the PhD. The book is broken down into ten parts covering everything those looking at the tenure-track need to know, including types of academic institutions (R1/SLACs/R2/etc.), job market documents, offer negotiations, grant writing, and how/when/why to leave academia altogether.

For those who are familiar with her blog, here are the biggest bonuses of her book:
* More real-life examples from emails, letters, and in person conversations Kelsky has had over the years.
* Chapter 4 details how the academic search process works from the university/department side - a land few grads may know as intimately as Kelsky explains.
* Figuring out a 5-year plan and determining what issues of the minutiae of graduate school life will distract you from the goal of making your CV the strongest it can be for the job market.
* Creating your “campaign platform” for the job market
* More specific information on crafting your elevator speech
* Key questions to prepare for in an academic interview (and how to tackle Skype and on-campus interviews)
* Answers the question of what to do when you don’t feel like you belong in academia, for myriad reasons including elitism, racism, gender, sexuality, imposter syndrome, and more

Most importantly for me, having all of this information in one compact book means I have a go-to present for my favorite students who giddily tell me that they want to become a professor. I don't want to discourage them like my undergraduate advisers tried to do to me, but I do want them to be well-informed about what the graduate-school-to-tenure-track life is like. I love having genuinely curious and bright students be interested in becoming a professional in my field (history), but I don't think it necessary that they see "professor" as the only meaningful way to study history or be a historian. I'm glad Kelsky has deepened my understanding of the nuances involved in mentoring students and being a student myself, as well as giving practical and thoughtful advice.

On another note, the book also provides me with a good stocking-stuffer for my non-academic parents who still wonder why I’m “in school” after so many years, and why my work schedule doesn't follow the 9-5 they're used to. I may even send a copy to my adviser.

5 of 5 people found the following review helpful.
Must read! Assumes reader is a current grad student.
By Dust
I used to read Kelsky's blog regularly while on the job market last year and preordered this book (it didn't arrive on the day it released, as was promised). I used it to re-do my application materials this year and have already sent out a few applications.

Here are some thoughts:

Kelsky is the advisor you didn't have. She starts by situating the job market process within the current mess academia is facing and exposing us to the underbelly of the beast we all came to be a part of. This, to me, is the best part of the book. I received a PhD in May 2015 and am part of a tier 1 public university's contingent faculty. How I wish I were aware of the looming PhD bubble that is held in place by dedicated, overqualified, and in most cases, unorganized adjuncts.

Kelsky helps with pruning application materials and editing out superfluous language.

Some parts of the book seem more useful than others. For example, the section on the teaching statement doesn't really add much to what is out there. Kelsky tells us what not to do but gives us no directions on what to do to get this genre right.

Most of this material is already on the blog but this is money well-spent as far as I'm concerned. I find myself getting distracted by tangential posts when I go to the blog for the same advice. Some of the posts seem to be updated in the book version.

I'd recommend that every graduate student or pre-graduate student lay their hands on this, that advisors hand out and discuss this book with their advisees well before they face the job market.

Something I really didn't like about the book - Kelsky's assumption that the reader is a grad student currently finishing their dissertation, which doesn't make a lot of sense considering the first couple of chapters on the situation of the market. This assumption was extremely unhelpful for me as I just received my PhD and, like many others, didn't get a Tenure Track job in the first round of applying. I have a PhD now, publications, and a contract position. What strategies do I adopt? What changes do I need to make to my application that may be different from what a grad student might do? For instance, how should I write my research plan? Do I still need to write a paragraph on my dissertation or might I use that space for something else? Do my recommendation letter writers have to be my dissertation advisors, now that they're not my advisors? So many questions that are unanswered.

I haven't had the chance to practice the tips on interviewing. Will post an update in Mar/April next year after interviewing and, hopefully, getting a job!

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Senin, 23 April 2012

[A506.Ebook] Ebook Lessons in Classical Painting: Essential Techniques from Inside the Atelier, by Juliette Aristides

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Lessons in Classical Painting: Essential Techniques from Inside the Atelier, by Juliette Aristides

A companion volume to Lessons in Classical Drawing and an atelier in book form, Lessons in Classical Painting breaks down the foundational skills and techniques of painting in a format that is accessible and manageable for all readers.

With the same direct, easy-to-follow approach of Juliette Aristides's previous books, Lessons in Classical Painting presents aspiring artists with the fundamental skills and tools needed to master painting in the atelier style. With more than 25 years of experience in ateliers and as an art instructor, Aristides pairs personal examples and insights with theory, assignments and demonstrations for readers, discussions of technical issues, and inspirational quotes. After taking a bird's eye look at painting as a whole, Aristides breaks down painting into big picture topics like grisaille, temperature, and color, demonstrating how these key subjects can be applied by all painters.

  • Sales Rank: #25665 in Books
  • Brand: Penguin Random House
  • Published on: 2016-07-26
  • Released on: 2016-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.30" h x .90" w x 7.70" l, 1.25 pounds
  • Binding: Hardcover
  • 248 pages

Review
“I have met many thousands of artists over the last fifty years of painting and thirty-five years of making paint. Very rarely do I meet someone who is as good at writing as she is at her visual art. Juliette Aristides is one such person—both a terrific writer and great artist.”
—Robert Gamblin, founder of Gamblin Artist Colors

“There are few who know classical painting like Juliette Aristides. This book is the next best thing to studying with her in person.”
—B. Eric Rhoads, publisher of Fine Art Connoisseur and PleinAir magazines

About the Author
JULIETTE ARISTIDES is the director of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington. She is the co-founder of the DaVinci Initiative, which works to bring skill-based art instruction into public education. Aristides exhibits in solo and group shows nationally. Her work can be seen at the John Pence Gallery in San Francisco and the Art Renewal Center Living Masters Gallery online. Visit her website at AristidesArts.com.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Thorough Book on Representational Painting Methods
By Nancy L
This is a very detailed and well illustrated high quality book for the artist who wants to master traditional representational oil painting. I used to teach oil painting at the college level and would use this as a textbook. The lessons are thoughtful and move progressively from value to color study. I highly recommend this book to any painter at any level of development. I consider myself a professional, but everyone has more to learn.

0 of 0 people found the following review helpful.
Superb
By notans
The fourth book in Juliette Aristides' series on drawing and painting. Superbly written and filled with invaluable information for the advanced painter and beginning painter alike. As a portrait painter always pushing to improve, Juliette's books are all at the top of my recommendation list.

1 of 1 people found the following review helpful.
Five Stars
By johnnie utah
Beautiful AND educational

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Jumat, 20 April 2012

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The Last Firewall, by William Hertling

In the year 2035, robots, artificial intelligences, and neural implants have become commonplace. The Institute for Ethics keeps the peace, using social reputation to ensure that robots and humans don't harm society or each other. But a powerful AI named Adam has found a way around the restrictions.

Catherine Matthews, nineteen years old, has a unique gift: the ability to manipulate the net with her neural implant. Yanked out of her perfectly ordinary life, Catherine becomes the last firewall standing between Adam and his quest for world domination.


PRAISE FOR THE LAST FIREWALL


“Awesome near-term science fiction.” – Brad Feld, Foundry Group managing director

“An insightful and adrenaline-inducing tale of what humanity could become and the machines we could spawn.” – Ben Huh, CEO of Cheezburger

“A fun read and tantalizing study of the future of technology: both inviting and alarming.” – Harper Reed, former CTO of Obama for America, Threadless

"A fascinating and prescient take on what the world will look like once computers become smarter than people. Highly recommended." – Mat Ellis, Founder & CEO Cloudability

“A phenomenal ride through a post-scarcity world where humans are caught between rogue AIs. If you like having your mind blown, read this book!” – Gene Kim, author of The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win

  • Sales Rank: #616635 in Books
  • Published on: 2013-08-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .73" w x 6.00" l, .96 pounds
  • Binding: Paperback
  • 322 pages

Review
"Awesome near-term science fiction." - Brad Feld, Foundry Group managing director

"An insightful and adrenaline-inducing tale of what humanity could become and the machines we could spawn." - Ben Huh, CEO of Cheezburger

"A fun read and tantalizing study of the future of technology: both inviting and alarming." - Harper Reed, former CTO of Obama for America, Threadless

"A fascinating and prescient take on what the world will look like once computers become smarter than people. Highly recommended." - Mat Ellis, Founder & CEO Cloudability

"The Last Firewall is like William Gibson had a baby with Tom Clancy and let Walter Jon Williams teach it karate. Superbly done." - Jake F. Simons, author of Wingman and Train Wreck.

About the Author
William Hertling is the author of Avogadro Corp: The Singularity Is Closer Than It Appears, A.I. Apocalypse, and The Last Firewall.

Brad Feld, cofounder of TechStars, called his first novel, Avogadro Corp, "a tremendous book everyone must read," and A.I. Apocalypse was nominated for the Prometheus Award. 

A twenty year veteran of the technology industry, he holds ten patents on software and internet technology and is a frequent speaker at technology and writing conferences. When not writing, he works on web and social strategy.

He's been building online communities since 1986 when he ran seven phones lines into the back of his Apple //e to create an online chat system. An active blogger since 2002, his website, williamhertling.com, receives more than 50,000 visitors a year. He resides in Portland, Oregon.

Most helpful customer reviews

32 of 32 people found the following review helpful.
Interesting technological picture of the future
By E. Gately
Building on the ideas in his first two novels, Avogadro Corp and A.I. Apocalypse, The Last Firewall continues to build a world that we can ~almost~ imagine. In 2035, things thrilling to us now are part of everyday life: artificial intelligence, supersonic maglevs, and neural implants. The story line is complex, but not annoyingly so. Hertling does a good job weaving the story lines together and the ending is satisfying yet there are a few loose threads which may suggest another book (I hope!).

Making the book even more interesting is the character building. The Last Firewall's characters are multidimensional people I'd like to have a drink with! I could envision going to one of the "bad" guys favorite izakaya establishments with him.

When you read this book, I highly recommend setting aside some time because you may not be able to resist reading the entire book in one sitting.

19 of 19 people found the following review helpful.
Great third entry in the series!
By Dan Marshall
Set many years after the events of AI Apocalypse, Hertling does a great job of taking the technology from books one and two and forecasting what the future iterations will hold. It's also clear he's put a lot of thought into how his characters interact with this brave new world, including answering the questions of how one would hop a ride on a supersonic that's already in motion and what it would look like to manipulate the internet with the power of the mind, which results in gripping story from start to finish. Despite being 300+ pages long, there's a good chance you'll read this in one sitting. It's the best book yet in the series!

31 of 35 people found the following review helpful.
Almost a great book
By Pamalla
So, after seeing the reviews for this book, how could I not read it? It sounded amazing! And it was.....almost. I found I did indeed have trouble putting the book down, and it did hold my interest from the get go. Here's the problem.... I like a book that makes sense from beginning to the end. If the author introduces story lines in the beginning, follow it thru til the end. I love it when the author dots their "i's" and crosses their "t's". I expect the author to love writing it enough to stick with it until the end. This author was creative with detail and plot. I was totally engrossed- and then poof- the structure collapsed.
This book started out with a bang that ends in a fizzle. The characters were alittle weak, but I could relate to them-until the end.
I had read about 80% of the book when I realized there was alot going on and not alot of pages left to make it all happen! In the back of my mind I went 'oh no- this isn't a good sign'. The author was on fire with this book. But if you aren't heading towards the ending 80% into it, then there are 2 reasons why: 1- you are planning a sequel, or 2- the Author is 'done'. Unfortunately, for me, it was #2. Frankly, I think Mr. Hertling burned himself out, woke up one day and said "I am so done with this book, I'm finishing it today no matter what"! Thats sure how it felt when I read the last 20% of it.
Without spoiling the book, let me put it this way- imagine someone telling you every detail of their upcoming wedding- the reception hall, the dresses, the food, the invitation, music and photos (you get the idea), but when the wedding happens all they tell you is 'it was nice'.
I'll give it 4 stars for the first 80%, the last 20% I'll give it a 2.5-3 star rating. Good beginning and middle but the Author got lazy at the end.

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Sabtu, 07 April 2012

[X778.Ebook] Ebook Unfinished Business - The Life and Times of Danny Gatton (Book), by Ralph Heibutzki

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Unfinished Business - The Life and Times of Danny Gatton (Book), by Ralph Heibutzki

Danny Gatton was a players' guitar player, hailed by both Rolling Stone and Guitar Player as the greatest unknown guitarist anywhere. His legend has only grown since his untimely suicide in 1994, along with appreciation for his blinding speed, effortless genre-hopping, flawless technique, and never-ending appetite for tinkering and problem-solving. Drawing from first-hand interviews with dozens of friends, family members and fellow musicians, Unfinished Business places Gatton's musical contributions into context, and documents his influence on those peers who admired him most, including Albert Lee, Vince Gill, Arlen Roth and Lou Reed. 290 pages, 6 inch. x 9 inch. "Danny Gatton comes closer than anyone else to being the best guitar player that ever lived". - Steve Vai

  • Sales Rank: #610261 in Books
  • Brand: Brand: Backbeat Books
  • Published on: 2003-07
  • Released on: 2003-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .86" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 290 pages
Features
  • ISBN13: 9780879307486
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Ralph Heibutzki's articles have appeared in Bass Player, DISCoveries, Goldmine, Guitar Player, and Vintage Guitar, and he is a regular contributor to the All Music Guide.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Tragic biography of a tortured musical genius
By Scott Hedegard
Guitar freaks know all about Danny Gatton. I am glad I got to enjoy a couple of his albums, "Redneck Jazz", "88 Elmira St." and "Cruisin' Deuces" while this massively gifted man was alive, and like others who loved his music, shattered when he committed suicide on Oct. 4, 1994. Heibutzki writes a tender and somewhat sad biography of a man torn between his unbelievable musical skills that were second to absolutely no guitar player on the planet, in any style, and the desire to stay close to his D.C. area clubs and Maryland home, loathing the road trips and very uncomfortable around the music sharks, whom were so flabbergasted at his enormous range they were simply at a loss how to market him to a much wider audience, so after two albums with Elektra, following disappointing sales, went back to indie land with Mopar, to release the last album before his death, the astonishing "Relentless".
Yes, there were other very good and great players out there, but none had such a solid grasp and mastery of such a variety of styles from old rock and roll, blues, jazz, country and bluegrass influences. The real kicker was that he would deploy all these elements in the same solo and make it sound like the history of American music in 32 bars. Sadly, with rap and hip hop and grunge dominating the charts with posers who didn't even play an instrument or sing (rap, hip hop), or played loud sludgy depressing guitars and equally depressing singers. Solos were not "in" with the grunge crowd, at least most of the bands. So Gatton found himself in a void, and although the other guitar players of the day were duly blown away, Eric Clapton and Jeff Beck refusing to jam with him when he showed up at each player's respective gigs, and session work, his name and appeal would remain confined to long time fans in the D.C./Maryland club scene and guitar fans.
The book follows Danny from the get go, and by the time he was in his early teens, he was outplaying bands meant to back him up and tearing it up on stage, with his own tunes and a plethora of great classics and standards. We get some insight into the rivalry between him and Roy Buchanan, both gigging the same clubs and turf although Gatton and Buchanan neither one tried to force the other into some sort of guitar duel. Buchanan, more steeped in blues was more willing to tour and enjoyed greater name recognition and sales. The two did meet occasionally for beers, and admired each other's playing. And like Gatton, Buchanan would be found dead in a jail cell in Virginia, supposedly hanging himself with a bed sheet although many fans believe he may have been murdered. Two masters of the Telecaster were effectively silenced.
We get tales of infighting, between Danny's family and friends, his wife and daughter and his mother, and still some hard feelings as the book closes. But Gatton wanted nothing else but to have enough money to make a living and work on his beloved cars and be the attentive husband and father, and probably suffered from severe depression but hid it away from others as he felt twisted and manipulated every which way. One point of criticism I levy toward Heibutzki is his near total omission of the fantastic jazz album he recorded for Blue Note Records, "New York Stories", where, along with a stellar jazz lineup, turned in a beautiful hard core jazz set that ranks as probably the most tasteful of all his albums. While his Telecaster is on the CD cover, he either used effects to tone down the normal twang that only the Telecaster makes or played other guitars for a warmer tone throughout. Gatton loved jazz, and that album was one I listened to constantly while engaged to my wife of now almost 23 years, and it holds a special place in my heart for me.
Otherwise, it's a fine book, accurate, and ultimately heartbreaking. Not only do we get the tragic story of Gatton, we learn that his buddy, studio ace Arlen Roth, another great player, was no stranger to horrible times, losing his mother and then his wife and daughter shortly thereafter in a fatal car wreck. Roth's daughter was only 14 and starting to be a formidable guitar player in her own right, playing a Gatton tribute concert very shortly before her own senseless death.
You won't feel good reading this, but you will appreciate the depth and guitar mastery that no living player maybe with the exception of Brian Setzer could touch. Time hopefully will bring him to a larger audience, but if not, his legend will live on through his amazing recordings.

20 of 20 people found the following review helpful.
Excellent biography!
By Martin A. Miller
Finally! The long awaited biography of Danny Gatton by Ralph
Heibutzki has arrived. The best biographies provide insight
into the character, motives, and personality of their subject.
Who was Danny Gatton? In answering this question, Heibutzki
has done an admirable job. Through many, many interviews from
all the people who were part of Danny Gatton's life; family and
friends, I know so much more about this brilliant musician
who Steve Vai (no slouch guitarist himself!) describes on the
cover jacket, "...Danny Gatton comes closer to anyone else to
being the best guitar player to ever live."
What drove Gatton to suicide? How did he view himself as a
musician? Why was he at once once blase about fame and at
the same time so driven to acquire it? At one point, he
forgot to call John Fogerty back to join his band, but was
clearly very excited to be signed to Elektra Records.
He craved the notoriety and money that came with stardom,
but would rather play small clubs close to home and
work on customizing vintage cars.
Why wasn't he more famous? Wasn't he arguably the best?
Maybe it was precisely because of his extraordinary skill
level. Can it be that he could only be appreciated by other
musicians or guitarists? Many people (non musicians) I play
his music for elicit a "ho hum" reaction, while my mind is
reeling with his stunning technique and musicianship. Who
knows? As someone who knew him observed, "he never threw
away a note".
Those issues, and more, are addressed in this biography,
and I feel after reading it that I know Danny Gatton, the
person, a bit more. Good job Ralph!

1 of 1 people found the following review helpful.
great book
By Jack Spratt
I highly recommend this book to anyone who wants to know more about a great guitar player who left us too soon. Danny Gatton, with his uniquse style was one of the greats. I play a little myself and it makes me appreciate his skill all the more. I would also recommend buying his instructional DVDS. I didn't find out about him until he died, but since then I have purchased all his recordings. For all you learning guitar players, learn about Danny. His playing will surely inspire you.

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  • Sales Rank: #13693882 in Books
  • Published on: 2005
  • Binding: Paperback

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